How important is the frequency at which music is played and recorded? According to this fascinating article – VERY important.
by Brendan D Murphy
Not Quite Music to My Ears (An Intro to “Nazi-Rockefeller Tuning”)
It’s blatantly obvious to me, after over a decade of investigation, that humankind is the (largely unwitting) victim of a frequency war on our consciousness that has been waged for decades, if not millennia. The goal has clearly been to keep us as sheep-like, gullible, and subservient as possible—through multifarious means. In modern history in particular, there has been what Dr. Len Horowitz has referred to as the strategic “militarization” of music. This happened in 1939 when the tuning of A=440 Hz was adopted in the world of music. In 1910 an earlier push to effect the same change was met with limited success. Three decades later, the British Standards Institute (BSI) adopted the A=440Hz standard promoted by the Rockefeller-Nazi consortium—“at the precise time WWII preparations were being finalized by the petrochemical-pharmaceutical war financiers.”[i]
This was the year (1939) that A=440 became the international standard. The American Federation of Musicians accepted the A440 as standard pitch in 1917, and the U.S. government followed suit in 1920.[ii] One must surely ask why Nazi propaganda minister, Joseph Goebbels argued for this odd intrusion into musical creativity, persuading Hitler’s supposed enemies in Britain to adopt this “superior” standard tuning for the “Aryan/Master Race.” What did the Nazis (and their secretive US financiers) have to gain from this?
It is interesting, also, to note that in October 1953, despite the British and Nazi push for the arbitrary A=440 standard (which is “disharmonic” vis à vis the physico-acoustic laws of creation governing reality), a referendum of 23,000 French musicians voted overwhelmingly in favour of A=432Hz.[iii] Many, many musicians, through recent centuries have expressed their strong preference for the A=432 reference pitch. “This tuning was unanimously approved at the Congress of Italian musicians in 1881 and recommended by the physicists Joseph Sauveur and Felix Savart as well as by the Italian scientist Bartolomeo Grassi Landi.”[iv]
According to preliminary research, analysis, and professional discussions by Walton, Koehler, Reid, et al., on the web, A=440Hz frequency music conflicts with human energy centers (i.e., chakras) from the heart to the base of the spine [the lower four]. Alternatively, chakras above the heart are stimulated. Theoretically, the vibration stimulates ego and left-brain function, suppressing the “heart-mind,” intuition and creative inspiration.[v]
Interestingly, the difference between 440 and 741 Hz is known in musicology as the Devil’s Interval…
But there’s more: the cochlea, the part of the inner ear that converts acoustic impulses into electrical signals, has a seashell-like spiral shape. A bilateral cross-section of the cochlea is mathematically describable through the Fibonacci series (the Golden Ratio / Phi as manifested in nature).
According to Chas Stoddard in A Short History of Tuning and Temperament, this fractality/recursiveness allows octaves to be decoded at the same point in each layer of the spiral, and may therefore be why we can discern octaves at all (meaning, that without this cochlea design, we would just hear pitch rising or lowering, we would not be able to identify that, for example, 256 Hz is C, as is 512 Hz also C).[vi] The octave concept would be almost meaningless and sonically undetectable to us….
Read the entire article, see photos and graphs and references at https://globalfreedommovement.org/432-dna-tuning-and-the-nazi-ization-of-music/
Do a search for patents of frequency-based weapons to control thoughts, feelings and behaviors.