Johnstone: The Primary Mechanism Of Your Oppression Is Not Hidden At All

I write a lot about government secrecy and the importance of whistleblowers, leakers and leak publishers, and for good reason: governments which can hide their wicked deeds from public accountability will do so whenever possible. It’s impossible for the public to use democracy for ensuring their government behaves in the way they desire if they aren’t allowed to be informed about what that behavior even is.

These things get lots of attention in conspiracy circles and dissident political factions. Quite a few eyes are fixed on the veil of government opacity and the persecution of those brave souls who try to shed light on what’s going on behind it. Not enough eyes, but quite a few.

What gets less attention, much to our detriment, is the fact that the primary mechanism of our oppression and exploitation is happening right out in front of our faces.

The nonstop campaign by bought politicians, owned news outlets, and manipulated social media platforms to control the dominant narratives about what’s going on in the world contribute vastly more to the sickness of our society than government secrecy does. We know this from experience: any time a whistleblower exposes secret information about the malfeasance of powerful governments like NSA surveillance or Collateral Murder, we see not public accountability, nor demands for sweeping systemic changes to prevent such malfeasance from reoccurring, but a bunch of narrative management from the political/media class.

This narrative management is used to shift attention away from the information that was revealed and onto the fact that the person who revealed it broke the law or misbehaved in some way. It’s used to convince people that the revelations aren’t actually a big deal, or that it was already basically public knowledge anyway. And it’s used to manipulate public attention on to the next hot story of the day and memory hole it underneath the white noise of the media news churn. And nothing changes.

We’ve seen it happening over and over and over again. The narrative management machine has gotten so effective and efficient that it’s been able to completely ignore the recent revelation that the US, UK and France almost certainly bombed Syria in 2018 for a completely false reason. A few half-assed Bellingcat spin jobs and an otherwise total media blackout, and it’s like the whole thing never happened.

What this tells us is that our first and foremost problem is not the fact that conspiracies are happening behind a curtain of government secrecy, but that the way people think, act and vote is being actively manipulated right out in the open. Government secrecy is indeed one aspect of establishment narrative control, but controlling the public’s access to information is only one aspect. The bigger part of it is controlling how the public thinks about information.

The reason people never use the power of their superior numbers to force real change, even though they’re being exploited and oppressed in myriad ways by the ruling class, is because they’ve been propagandized into accepting the status quo as desirable (or at least normal). The propaganda of the political/media class is therefore the establishment’s front line of defense. Its most powerful, and essential, weapon.

This is important for dissidents of all stripes to understand, because it means we’re not just passively waiting around for another Manning or Snowden or an Ian Henderson to give us information which we can use to fight the oppression machine. Those individuals have done a great public service, but the battle to awaken human consciousness to what’s really going on in our world is in no way limited to leakers and whistleblowers. It is not at the mercy of government secrecy.

If you are engaged in any type of media, you are engaging the narrative matrix which keeps the public asleep and complacent. It doesn’t matter if you have a Twitter account, a Youtube account, some flyers or a can of spray paint: if you are capable of getting any kind of message out there, you are able to directly influence the mechanism of your oppression. You are able to inform people that they are being lied to, you are able to explain why, and you are able to point them to where they can find more information.

This is extremely empowering. You do not need to wait around hoping that some bombshell piece of information makes it past all the various security checks and spinmeisters and triggers a real social awakening. You can be that information. You can become a catalyst for that awakening.

The key to turning this ship around does not lie hidden somewhere behind a veil of government opacity. It lies in you. It lies in all of us. We can begin awakening our fellow humans right now by attacking the narrative management of the propaganda machine that sits right in front of us, unarmored and unhidden.

Even half-awake people know they’re being oppressed and ripped off in some way, but virtually all believe no one else feels the same way or is willing to do anything about it.   This is a lie.  It is the most powerful means by which the media oppresses us: it has insinuated itself between neighbors and communities to prevent the formation of nuclei of self-organization.   It doesn’t matter if 100% of the people are outraged, if every one of them thinks they are alone.    The Asch conformity principle applies.

Tools of Oppression: Stanford Prison Experiment, Milgram Obedience Experiment, Asch Conformity Experiment

“Return to Oz” : A Creepy Disney Movie That is Clearly About Mind Control

Apparently in mind control programming they use movies and children’s fables not just as a source of triggers, but to provide a wider psychological context in which to construct the alternate reality and the “alter”.  The more complex the fantasy, the more self-consistent, complete and resilient it can seem to be.  Thus the purpose of this film is to pre-program a young viewer into being receptive to future mind control by laying a narrative foundation for it.   What all this implies about the social engineering purpose of trauma-based “entertainment” and the current management of hollywood is pretty clear.  Of course only a small percentage of the audience will be “recruited” as actual slaves (maybe: ) but imposed trauma in general has wider social control applications.

Unfortunately simulated trauma is only part of the nightmare children are subjected to in this society.   The very real imprinted trauma and horror of typical induced births, immediate cord clamping, isolation, restraint and circumcision would tend to raise the base activation level of the limbic system and suppress the vagal network, inducing a perpetual state of fear, passivity, learned helplessness and a lack of intuitive insight and emotional connection.   Suppressing the human capacity for love and psychic perception is crucial to imposing totalitarian control.

As horrific as all of this is, blissful ignorance is no longer a realistic option if we are to survive as human beings.    Scientific precision, limitless funding and exponential growth implies that mind control has become so pervasive as to be a potent force in this society, as many survivors have been saying for years.

From The Vigilant Citizen – “Symbols Rule the World

The 1985 Disney production Return to Oz is considered by many as one of the most terrifying children’s movies ever made. While many of its scenes are indeed pure nightmare fodder for young minds, there is one fact that is even more disturbing: The movie is actually about a young girl being subjected to the sadistic world of trauma-based mind control.

Warning: Gigantic spoilers ahead!

When Return to Oz was released in 1985, the movie received a somewhat cold reception. While viewers were expecting a sequel to the 1939 classic The Wizard of Oz, the movie ultimately delivered a much darker experience. While The Wizard of Oz featured munchkins singing about lollipops, Return to Oz features Dorothy being taken to a grimy mental hospital, strapped down on a bed to be electroshocked … and then things get worse.

Described by one movie critic as “bleak, creepy and sometimes terrifying“, Return to Oz is one of those movies that makes one wonder why they were marketed to children. However, when one understands the hidden underlying meaning of the movie, things make more sense. The movie is secretly about trauma-based mind control, the most sadistic practice known to man, so those behind it probably took sadistic pleasure in scaring young viewers around the world.

Return to Oz symbolically describes the horrific process of trauma-based mind control as experienced by a young girl. Also known as MKULTRA, mind control is about subjecting victims to trauma that is so intense it causes them to dissociate, or disconnect, from reality as a response mechanism to protect their conscious mind. The slave’s handler then creates a programmable alter-persona he can manipulate. (If you have no idea what I’m talking about, read this article: The Origins and Techniques of Monarch Mind Control). Through fantasy, Return to Oz describes the programming process of a young girl that has dissociated from reality into a world created by her handler.

The Wizard of Oz: The Occult Elite’s Favorite Programming Tool

In my article on The Wizard of Oz, I explained how the movie was used in MKULTRA as a programming tool on mind control slaves. The same way Dorothy goes “over the rainbow” to escape to the Land of Oz, MK slaves, who are being brutally tortured are told to go “over the rainbow” and dissociate from reality to escape the unbearable trauma.

“The Wizard of Oz was chosen in the late 1940s to be the basis for the Illuminati/Intelligence community’s trauma-based total mind control programming. As a way of enhancing the effect of the programming, Monarch slaves are conditioned to place trigger items into their lives.”
– Fritz Springmeier, The Illuminati Formula to Create a Mind Control Slave

While The Wizard of Oz was chosen and twisted to become a programming tool, Return to Oz was custom-made to become an ode to mind control. Based on L. Frank Baum’s The Land of Oz and Ozma of Oz (books 2 and 3 of the series), the Disney production added several key elements to the tale to make it about mind control. For instance, in the books, Dorothy is not sent to a psychiatric ward to get electroshocked. Why was this unsettling bit added to the movie? Return to Oz follows the same basic script as several other movies used in mind control such as Alice in WonderlandLabyrinth, and even Coraline: An inquisitive young girl escapes reality to explore a fantasy land filled with fun and adventure, where no rules apply. However, in the world of MK, that fantasy land is actually a symbol of dissociation – the place where the mind escapes to in order to cope with trauma.

Let’s look at the upsetting strangeness that is Return to Oz.

Return to Oz

The movie begins where The Wizard of Oz left off. Dorothy is in her room and keeps thinking about the magical Land of Oz. Auntie Em is concerned because she hasn’t been able to get a good night’s sleep. What does she do about this situation? She decides to bring her to a “therapist” who specializes in electroshocking his patients back to reason. That’s great parenting right there.

"Return to Oz" : A Creepy Disney Movie That is Clearly About Mind Control

Before Dorothy leaves for the ward, she finds a key with the symbol for Oz. It represents the key to her core personality – her true self.

"Return to Oz" : A Creepy Disney Movie That is Clearly About Mind Control

At the clinic, we see Dr. Worley holding the key. This represents him taking over her mind and becoming her MK handler.

Dr. Worley tells Dorothy “I know exactly what will cheer you up!” and presents to her his electroconvulsive therapy (ECT) machine.

"Return to Oz" : A Creepy Disney Movie That is Clearly About Mind Control

Dr. Worley tells Dorothy that his machine has eyes and a mouth. This foretells the fact that this machine will become an actual character in the twisted world Oz – the world Dorothy will be taken to while dissociating.

"Return to Oz" : A Creepy Disney Movie That is Clearly About Mind Control

While looking at the machine, Dorothy sees the reflection of another girl. The electroshock machine is the gateway to her alter persona – Ozma.

"Return to Oz" : A Creepy Disney Movie That is Clearly About Mind Control

The head nurse, dressed in a creepy black dress, walks Dorothy to her room.

As Dorothy walks down the dark, scary hallways of the institution, we can hear “patients” screaming and lamenting. This place is nothing less than an MK ULTRA programming site. Mind control did not exist in the 19th century (the time period where the movie is set), and this entire part of the movie was added by Disney.

"Return to Oz" : A Creepy Disney Movie That is Clearly About Mind Control

After being kept in isolation for a while, Dorothy is forcibly strapped to a bed.

Dorothy is taken to a room where the head doctor (aka head handler) is waiting with his ECT machine.

"Return to Oz" : A Creepy Disney Movie That is Clearly About Mind Control

Dorothy is being prepped for electroshock.

Dorothy, however, appears to be lucky. Right when Dr. Worley turned on the ECT machine, the power goes out. At this point, we are under the impression that Dorothy avoided being electroshocked due to a perfectly timed power outage. However, as the rest of the entire movie will clearly tell us, that is not the case. Dorothy did, unfortunately, get electroshocked, but it is subtly implied. In fact, the shock was so violent and intense that it caused her to dissociate from reality. The lights going out in the room symbolize her core personality going out. From this point on, Dorothy’s “adventures” actually represent her going through the motions of mind-control programming while being completely dissociated. What happens to Dorothy immediately after the blackout is relevant.

"Return to Oz" : A Creepy Disney Movie That is Clearly About Mind Control

Dorothy’s alter persona appears out of nowhere to retrieve her.

When Dorothy asks Ozma about the people she hears screaming, Ozma replies that they are “patients who have been damaged and locked in a cellar”. In other words, they are MK slaves.

Continue reading “Return to Oz” : A Creepy Disney Movie That is Clearly About Mind Control

US Announces Three New Bases in Iraq After Iraqis Demand Full Withdrawal

Less than a week after millions of Iraqis took to the streets demanding the U.S. military leave for good, the United States announced that is planning to build three new military bases in Iraq, according to military news service Breaking Defense. The three sites chosen – Erbin, Sulimania and Halabja – are all extremely close to Iran, with Halabja (the site of the 1988 chemical weapons attack) just eight miles from the border.

The news will come as a shock to the Iraqi parliament, who earlier this month voted overwhelmingly (with some abstentions) to expel American forces from the country. But the U.S. government has flatly refused to leave. “At this time, any delegation sent to Iraq would be dedicated to discussing how to best recommit to our strategic partnership — not to discuss troop withdrawal, but our right, appropriate force posture in the Middle East,” said State Department spokesperson Morgan Ortagus, adding, “We strongly urge Iraqi leaders to reconsider the importance of the ongoing economic and security relationship between the two countries… We believe it is in the shared interests of the United States and Iraq to continue fighting ISIS together.” Earlier this month the U.S. decided to send an extra 3,000 troops to the region….